On Friday evenings at the Underground Tracks Factory, teenagers face off and improvise footwork dance battles. The most recent development in house's evolution, however, is a sound called 'footwork'. Radio station Afropop Worldwide remarked on the genre and its developments in 2011, saying that: Music video for Pimp Like Me also featured scenes of footwork dancing. Another example was Twista's footwork/juke track Pimp Like Me from his 2007 album Adrenaline Rush 2007 produced by Cuzzo and Tight Mike, which also gained airplay on MTV Video.
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Some of the earliest tracks of footwork/juke only gained exposure after European labels started re-releasing them throughout the 2010s.Īround 2007 footwork/juke gained some brief exposure on MTV and the Internet, with the release of such tracks as Kanye West's remix " Pro Nails" by Chicagoan rapper Kid Sister (2007), which showcased half-time/full-time tempo switch, typical for the genre, albeit at a slower tempo. Other channels producers used around that time for distribution of their tracks included free-to-use media sharing platforms of the day, for instance now-closed, MySpace and YouTube. ĭuring the 2000s, footwork relied heavily in its distribution on a peer-to-peer mixtape exchange in Chicago public schools, which is why the earliest works in the genre are often hard to obtain. Other early proponents of the genre included DJ Roc and DJ Nate. During that time, in 1998, DJ Clent formed a crew of him and the likely minded producers, namely, DJ Spinn, DJ Rashad, RP Boo, DJ C-Bit, Majik Myke and others, called "Beatdown House" of from whom footwork originated. Among other people involved in the creation footwork/juke sound were DJ Rashad (with his 1998 track called "Child Abuse" (with DJ Thadz)) and DJ Clent (with his 1996 track "Hail Mary" (with DJ Slugo) and 1998 track "3rd Wurle"). According to RP Boo, the first sign of the genre's emergence happened, when ghetto house first started to be played at a faster speed when a group of ghetto house DJs from the Chicago West Side started playing ghetto house records at 45 RPM instead of standard 33 RPM. RP Boo, a former footwork dancer, is generally credited with making the first songs that fall within the canon by releasing songs such as "Baby Come On" in 1997 which is oftentimes considered the founding track of footwork/juke. The genre evolved to match the energy of footwork dance, a dance style born in the disparate ghettos, house parties and underground dance competitions of Chicago. History įootwork/juke first appeared in the late 1990s to early 2000s as a faster and increasingly abstract variant of ghetto house. drum'n'bass dispute, where some people consider the terms to be mere synonyms, while others prefer to call jungle a proper progenitor of drum'n'bass. In this regard, as one review summarized, the situation with terms is analogous to jungle vs. Apart from simply being synonyms, there is also a strong tradition to distinguish these two terms, where juke is constrained to the earlier years of the genre, with footwork in this sense being a more chaotic, complex and abstract offshot of proper juke music, that brought wider attention in the late 2000s. The terms footwork and juke, as referring to the fast syncopated genre of electronic dance music derived from ghetto house, may be used interchangeably. However, the term "juke" came to dominate the whole ghetto house scene, often being used as a blanket term to denote any style derived from ghetto house and even its progenitor, ghetto house, was at times called "juke" too. Some originators of the footwork/juke genre, notable example being DJ Clent, at first disregarded the term, instead preferring to call footwork music project house. The term juke, as being applied to particular styles of ghetto house, came into use from DJ Puncho and Gant-Man in the late 1990s by releasing tracks such as "Juke it" in 1997. The term "juke" is believed to come from the Gullah word joog or jug, meaning rowdy or disorderly which itself is derived from the Wolof word dzug meaning to misconduct one's self. It is believed to have originated from West African languages and came to Chicago use via Gullah. Footwerk and footwurk are two other forms of the term sometimes used to describe this genre. The arguably first mention of the term "footwork" within the ghetto house scene of Chicago was WaxMaster's "Foot work" track in 1995.
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The name "footwork" given to the genre refers to the footwork dance that accompanies it and is characterized by very fast structured footwork (dance).